They have been in business since the late 1970s. The foam port plugs do not come pre-installed, so if you want to use them, you’ll need to remove them from their protective zip-lock plastic bags and press them into the port tubes. Evoke 10 (£1250) is a compact two-way standmounter with a 14cm long-throw woofer. How does the Evoke 10 sound in a desktop environment? If you use just the outer ring, you simply reduce the size of the port. But that’s not the case with the Evokes. That result is very engaging. Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. For now, let’s focus on one of their products, which is the Dynaudio Evoke 10.eval(ez_write_tag([[580,400],'hifireport_com-medrectangle-3','ezslot_11',132,'0','0'])); The Evoke 10 represents the entry into their latest lineup, the Evoke series. It’s made entirely of plastic and although it’s flared where it exits the cabinet, the same isn’t the case at the entrance of the port, inside the cabinet. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! So you will have plenty of time to try this for yourself and to see if it works for you, especially if you’d live into US. The rear of the Dynaudio Evoke 50, with bass reflex port and terminals. Yet there’s just enough richness to the tone to give the sound body, some weight, some density. It’s all about natural tone, the outstanding balance between the tweeter and the woofer. Not only can the Dynaudio speakers be consistently precise and accurate, but also rich in detail. Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. That leads me to the individual elements of the presentation, starting with the treble. I like that because it gives the sound some solidarity but doesn’t expect this little speaker to sound way more significant than it is in low-end output. is part of Future plc, an international media group and leading digital publisher. The huge voice-coils (which, at 75mm in diameter, are one of the biggest in the business, particularly for a 185mm driver) are made from copper wire that’s wound around a Nomex former. I wouldn’t call it clinical, just dry. The Dynaudio Evoke Series consists of two floorstanding loudspeakers (Evoke 50 / Evoke 30), two bookshelf loudspeakers (Evoke 20 / Evoke 10), and a center-channel loudspeaker . These days, there are fewer salespeople on showroom floors, and many customers (particularly children) feel the need to ‘poke’ drivers (particularly tweeters) when no-one’s looking, so with fewer salespeople to control out-of-control customers, it’s likely that increasing numbers of tweeters are being damaged. True to the goal, it does a great job of getting out of the way of itself. If you want that big explosive sound, they’re not going to be for you. So overall, they’re excellent speakers, definitely not for everybody. Please deactivate your ad blocker in order to see our subscription offer. I know that the cabinets are designed and made in Denmark. When it comes to equipment matching, the good news is that they are effortless to work with, and they’re also very transparent. The high-frequency response of the Dynaudio Evoke 50 is shown in greater detail in Graph 2, but you should note that the different measurement technique that’s used in order to provide this detail means that only high-frequencies can be measured (in this case, those above 900Hz). You can see that although the bass drivers are identical, their different positions on the front baffle mean their performance is not identical. You can tell that here’s a tweeter and here’s a Woofer.eval(ez_write_tag([[250,250],'hifireport_com-large-leaderboard-2','ezslot_9',135,'0','0'])); Let’s go ahead and get evident out of the way. Evoke 30 (£2900) is … Of course, you can also get a somewhat bright sound out of these speakers. With the half-bung fitted, the output from the port drops by 5dB, as you’d expect, and the peak output also drops in frequency down to 32Hz. Turning this speaker around, we’re going to have this lovely curved cabinet and a walnut veneer. I guess that Dynaudio intends that the salespeople should leave the pucks in place whenever the speakers are not actually being demonstrated, and removed only for listening sessions. In 2005, Edifier's high-end flagship product S2000, was launched on the market. The first is that the impedance of the Dynaudio Evoke 50 remains at or significantly below 4Ω from around 75Hz right up to 700Hz, so this speaker will require your amplifier to deliver some fairly serious current, as well as voltage. © Product literature is easy to locate right beneath the top flaps making it easy to get started. But for most of you, 60 to 80 watts or more is where you’re going to want to be. The important thing is that you will find that the violin’s treble does not feel harsh, but the shape is precise and dense. A lot of small speakers have this dip in the upper mid-range. As for that midrange, it was, as I have already intimated, absolutely superb: totally clean and clear, and not a hint of the boxiness that can affect two-way and 2.5-way speaker designs. In detail, you don’t need to crank up the volume to hear excellent information out of these speakers, which was another feature to a lot of the Dynaudio products. Add to cart. An outstandingly homogenous and holistic sounding standmount speaker that does credit to its heritage and continues Dynaudio's story of success in this field. When it comes to setting these speakers up in your room, the good news is they’re straightforward to work with. There are several important take-aways from these graphs. The Dynaudio Evoke series features five hi-fi speakers with Danish timeless housing design that treasures the high-quality features and technology referenced from their top range models. How can you get it? Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. Dynamic output for something that has a slightly rich and laid back sound is outstanding. You can hear every detail in the music performance. The cabinet itself is quite tall—standing 1160mm high when its four outrigger feet are fixed underneath it. Nor are they going to be the best choice for somebody who has a big room and you want this small speaker to fill that big room with a lot of sounds, particularly when it comes to the low end. That also lends itself well to heavier types of music electronic, rock-and-roll, hip-hop, R&B. You can see for yourself that the response is marginally smoother and more linear without the grille, though the differences are barely significant. Returning again to that tweeter, and it encroaching on the Esotar3’s territory, I’ve always found Phil Smith’s posthorn solo in Bernstein’s take on Mahler’s Third, with the New York Philharmonic (DG 427 328-2), a very good test of a tweeter, and listening to it via the Dynaudio Evoke 50s I heard all of the brightness, cleanliness and punch-through that I expect to hear, and all against an atmosphere so orchestral you could cut it with a knife. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). And then turn it up a bit more. The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. Here’s the bottom line, Dynaudio has always had one significant strength, and that is their versatility. While the Special Twenty-Five was a fairly large, stand-mounted, two-way speaker, Dynaudio's 30th-anniversary model, the Sapphire ($16,500/pair), was an unusual-looking floorstanding design. It’s not going to have that sharp treble or the V curve that many people like with bright treble and massive bass. In all three-way designs, such as the Dynaudio Evoke 50, in the previous scenario the bass drivers will be producing the 20Hz tone, moving back and forth freely without having to deliver the 1,000Hz tone, and the midrange driver will be reproducing the 1,000Hz tone at exactly 1,000Hz, with no frequency variations at all. Put a pair of Evoke 30 floorstanders in there and they’ll also know you have taste. The bungs provided with the Evoke 50 are in two pieces, with an inner plug and an outer ring. I’m guessing that most of you are already familiar with the name. Even with the feet fitted the Dynaudio Evoke 50 isn’t exactly ‘rock solid’ stable, since it will overbalance if it is forcibly tipped more than 17 degrees to one side or the other. David A Posting Freak. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. The LYD have older units more similar to the old Excite. They’re very, very easy to listen to, even on less than perfect recordings. That this is the case speaks volumes for not only the quality of Dynaudio’s drivers, but for the company’s quality control and testing procedures as well, because you can’t deliver this type of performance with ‘off the shelf’ drivers… they’re just not matched closely enough. This product is sold through many dealers, especially in North America, that offer up to sixty-day money-back guarantee trial periods. Find helpful customer reviews and review ratings for Dynaudio Evoke 50 Floorstanding Speaker (Each) (Black Gloss) at Amazon.com. If you’d like to hear something fabulous that has both the piano and the violin working the Dynaudio Evoke 50s’ midrange hard (as well as those superb bass drivers), I can totally recommend Brahms’ Complete Sonatas for Violin and Piano on Calliope (Harmonia Mundi) as performed by Andrew Hardy and Uriel Tsachor. Let’s talk about how they sound. Read honest and unbiased product reviews from our users. The Evoke 10 itself is a very straightforward design. I feel like the tone is pleasant and very easy to listen to in the near field environment. (Foam surrounds tend to rot, particularly when exposed to ultraviolet light, of which there’s a lot in Australia!) Add to wishlist. Dynaudio Evoke 10 Loudspeakers EVOKE 10 - Seriously entertaining. More importantly, it would be difficult to see that the inner dome had been damaged by a customer in the first place. This huge Danish company can now lay claim to having the largest and best-equipped anechoic speaker measurement chamber in the world, as well as one of the most advanced loudspeaker manufacturing factories in the world, both of which were the direct result of a huge injection of capital from Chinese manufacturer GoerTek, after it purchased Dynaudio in 2014. On the back, we are going to have our rear port. That larger chamber, in conjunction with the new pressure conduit, reduces the back-pressure on the rear of the tweeter diaphragm, effectively enabling enhanced frequency extension. The black trace shows the response of one bass driver (for clarity) without any bungs, and you can see that the response rolls off quite steeply from around 60Hz. Dynaudio’s new Evoke 50 loudspeakers sound ‘way bigger than they have any right to sound, given the relatively small size of the speaker enclosures, and that’s got to be great news for anyone with an average-sized room, or even a small room, who’s ever despaired about being able to buy speakers that would not dominate their décor. That’s how Doppler distortion affects loudspeakers, and it is present in ALL two-way loudspeakers. The graph shows the high-frequency response with the speaker grille off (black trace) and on (red trace). Microsoft pledges update to fix Xbox Series X controller issue, Best 55-inch TVs 2021: smart, 4K, HDR and OLED TVs, Sony teases new microLED displays on YouTube ahead of CES 2021 reveal, Google Pixel smartphones get fresh audio visual upgrades in January update. The Evoke series took trickle-down tech from their higher-end lines and packaged it into something a little bit more affordable. It scales very well. Whereas the Esotar3 tweeter is made from neodymium alloy—Nd2Fe14B—the Evoke 50 tweeter’s magnet is made from a less-powerful magnetic material made using strontium carbonate ferrite which Dynaudio calls ‘Cerotar.’. When you first unpack the Dynaudio Evoke 50 speakers, on the front of each cabinet you’ll find a bright yellow plastic puck right where the tweeter should be, attached via three tiny neodymium magnets. Generally, I would recommend not using the plugs unless you find the bass a bit ‘boomy’ and ‘one-note’ in which case I’d recommend blocking the ports completely… not just using a ‘half bung’. Bath I accept that it's a thought experiment but take a look at the impedance plots in Stereophile speaker reviews. I love that connectivity and get the sense that Dynaudio really cares about their workmanship as I hefted the speakers in place. It sounds good with a lot of stuff.eval(ez_write_tag([[250,250],'hifireport_com-banner-1','ezslot_2',134,'0','0'])); Let’s talk about the bass. But what I like so much about the Evoke 10 is the vertical dispersion seems to be very good. The ability of the Dynaudio Evoke 50s to create not only a superb stereo image, but a complete soundstage, is second to none… and you don’t have to be in the sweet spot either. Newport Test Labs measured the sensitivity of the Dynaudio Evoke 50 as being 87dBSPL at one metre, for a 2.83Veq input under its standard test conditions, a result that is in exact agreement with Dynaudio’s own specification. Testseek.co.uk have collected 11 expert reviews of the Dynaudio Evoke 20 bookshelf speaker and the average rating is 98%. On the top, we are going to have a 28mm coated soft dome tweeter. 07/16/2019 Dynaudio Evoke 10 & 30 Review Straightforwardness and professionalism without fuss have always been the hallmarks of Dynaudio loudspeakers. Some Dynaudio port plugs can be split to provide optional levels of bass volume reduction. You’re likely already familiar with the principle of Doppler distortion, which describes how the speed of an object affects its perceived pitch. All rights reserved. I’ve come to find that you don’t want them too high above your ears, though. But the thing that I haven’t been a fan of in the past is the somewhat dry sound. But I will say this is an easy recommendation for somebody looking for a quality monitor at this price point, mainly because Dynaudio is a very well-established company. There are going to be other options out there. It’s a compact two-way, rear-ported, bass-reflex design. On the top, we are going to have a 28mm coated soft dome tweeter. They’re kind of in-between. If they retain the Dynaudio house sound and my Luxman 590 AXII, Nordost Cables and DirectStream DAC have synergy with them I knew I would be in for a treat. Dynaudio's Evoke 20 is a full-size stand-mounted speaker designed to excel in almost any size space. When you listen to these speakers, you’ll notice that number one, they don’t project in a forward way. There’s going to be natural liveliness and even sharpness if the recording calls for it. Just a brief note on the latest speakers I'm auctioning. The sonics are such that you can hear the soundboard at work making the sound bigger and more authoritative, and you’ll never be left wondering whether you’re listening to a Steinway or a Fazioli, such are the incredible detailing abilities of those Evoke 50 bass drivers. What is nice is that they come with foam plugs. That’s because of driver integration. It’s interesting, but at this frequency the midrange driver has well and truly taken over delivering the sound, as you can see from the green trace. Only one that I don’t think will affect anyone who’s looking at buying a pair of Dynaudio Evoke 50s, which is that to make the bass delivery truly lifelike and the midrange really sing, you’re going to need an amplifier that will happily drive low-impedance loads, preferably right down to 2Ω. It can handle crescendos pretty well, which will be great news for people who love classical like me. Let’s talk about mid-range. The notes from the bottom-most keys of a grand piano are about the lowest-frequency sounds you’re ever going to run across in most music genres… classical, jazz, rock, et al, and after having used the Evoke 50s to enjoy the performances of a number of piano greats, from Wilhelm Kempff and Glenn Gould to Khatia Buniatishvili and from Art Tatum and Bud Powell to Keith Jarrett, and from Jerry Lee Lewis though Keith Emerson and Sir Elton John, I can tell you that the Dynaudio Evoke 50s deliver a fine rendition of a grand piano in full flight. The Evoke range comprises two standmounts (Evoke 10 and 20), two floorstanders (Evoke 30 and 50) and a centre speaker (Evoke 25c). Another thing I like about the treble beyond just the usual audiophile stuff is spatial separation. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. If you listen to loud volumes, they’re probably not going to be the best choice for you. When you listen to the Evoke 10, the sound does come across more like it’s limited to the plane of the loudspeakers themselves, which for me is fine. Overall this is a well-rounded speaker who handles a wide variety of music just fine. Excellent design. The Evoke 10 itself is a very straightforward design. Lastly, the impedance is fairly high at very low frequencies, and above 700Hz essentially continues to rise, so the Dynaudio Evoke 50 should be compatible with all modern Class-D amplifier designs, as well as conventional Class-AB designs. The Evoke 10, to be clear, isn’t a small speaker that’s trying to be anything more than what it is. They just unveiled this new warranty program to where they increase the warranty to eight years if you register the product through them. However, spreading the load of the low-frequencies across two drivers not only allows the use of smaller-diameter drivers, it also distributes the amplifier power between two voice-coils, rather than one, which means increased power-handling capability and, more importantly, reduced dynamic compression. This gives Dynaudio unprecedented control over the entire manufacturing process—there are very, very few loudspeaker manufacturers in the world that make all the drivers that are used in their speakers. They tend to sound good with a wide variety of components, mostly solid-state. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. Cerotar-diskanten er helt ny, med en ekstra indvendig dome kaldet Hexis, der bryder resonanser op. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. And let’s imagine that that driver is producing a deep bass note at 20 cycles per second (i.e., 20Hz), so it’s moving back and forth 20 times per second. All in all it’s a beautifully balanced delivery of high-frequencies. As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. I respect Dynaudio. BA1 1UA. Their treble, I would say, is inherently smooth sounding. Compare. Its single-piece polypropylene cone is only 0.4mm thick and is driven by an aluminium voice-coil wound around a fibreglass former. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second do… Best internet radios 2021: modern radios with streaming smarts, Best smart speakers 2021: the best voice assistant speakers, Best speakers 2021: budget to premium stereo speakers. – Conversely, bass limitation noticeable due to excellent presence slightly higher up. You can see that without the bung, peak output is a bit above 40Hz, itself just a bit above the bass drivers’ minima at 38Hz. Number one, these are small speakers. It’s all about giving you a presentation where it’s easy to listen to across a wide variety of recorded material yet just expressive enough to be interesting. It isn’t the exact same tweeter, of course, but the most important design element is the same, which is that the 28mm fabric dome sits just on top of a hidden ‘inner dome’ in a geometry that Dynaudio calls a ‘Hexis’—and if you look carefully at the fabric dome, you can just see the dimpled surface of the sub-dome underneath. Graph 7 shows the performance of both bass drivers and the midrange driver. The Evoke 10 has a very natural tone, especially for the price. Dynaudio's 25th-anniversary Special Twenty-Five ($5200/pair) was previewed by John Marks in his January 2003 The Fifth Element" column, with a very positive Follow-Up review from me in June 2005. The 40’s are getting high praise… One review I read of these speakers proclaimed them as the best bookshelf speaker Dynaudio has made. You likely haven’t heard of it because all loudspeaker manufacturers prefer to keep very quiet about Doppler distortion because all of them sell speakers that suffer from it. That will be great news for many of you because most of you stream music nowadays, and streaming could use a little bit of smoothness. Which is the more desirable outcome will depend not only on your room and where the speakers are positioned in that room, but also on the type of music you most often listen to. At the same time, it’s also producing a midrange note at 1,000Hz, which means it’s also moving back and forth one thousand times per second at the same time that it’s moving back and forth 20 times per second. I would say those solid-state amplifiers of 60 to 80 watts per channel or more where you’re going to want to be because these speakers do like power. Future Publishing Limited Quay House, The Ambury, May 2019 (98%) 11 Reviews. So how is the Evoke 10’s performance? I’m not sure about the walnut veneer is sourced in Denmark as well. Evoke 30’s twin 14cm Esotec+ mid/bass drivers are made from MSP (Magnesium Silicate Polymer), a material we’ve been using for our woofer diaphragms since Dynaudio started back in 1977. aptX HD Bluetooth: What is it? The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. It could be that this ‘puck’ is there to protect the tweeters during shipping—and it certainly does this very effectively—but I suspect the real reason it’s there is to protect the tweeters from damage while the speakers are on display in retail showrooms. The Evoke 10 has a warm, comfortable to listen to the sound. Sound: 9/10 Value: 9/10. They are 85-90% of the Contour series and less than half the price. That is where you’re going to get the drivers at your ears, where everything will come into focus. Every driver has been optimised in Dynaudio's state-of-the-art Jupiter measuring lab. In the centre of the Evoke 50 tweeter’s magnet is a specially-shaped vent and behind that magnet, a larger rear chamber. And every finish has been painstakingly formulated and executed to reflect those on our most exclusive speakers. The new tweeter also benefits from the tweeter Dynaudio designed for its ‘Special 40’ speaker, an anniversary model specifically developed to celebrate Dynaudio’s forty years in the loudspeaker business. The advantage of a three-way loudspeaker design with its separate midrange driver should now be immediately obvious! If you listen to fair music at soft volumes in a small room, you can probably get away with an 18 to 30 watt per channel tube amplifier. Suffice to say, they’re pretty well established, and they’re very well respected in each of those industries. 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